All these elements support my argument that, in Cave and Shadows, spectral figures – -corporal or climatic – -allow an interrogation of historical trauma through haunting and mid-mourning. Finally, the chapter considers the spectrality of the Marcos Regime and the inclusion of dictatorial eras as legitimate areas of investigation in Trauma Studies. Consequently, in the fourth part, I investigate the compatibility of Magic Realism and postcolonial trauma in decolonised societies. In the third part, which analyses manifestations of ecological spectrality, I interrogate new ways of thinking about trauma in “‘disaster cultures.”’. Second, it proposes two readings of the revenant, Nenita Coogan. It also studies the difference between mourning and mid-mourning, the latter understood as a way of ethically re-assessing historical losses. As such, this chapter first provides a theoretical discussion of spectrality and its correlation with trauma and belatedness. Specifically, I examine not only the spectres of colonisation but also the unsettled past of the infamous Marcos dictatorship in the Philippines. I am interested in what I suggest are the spectral figures that question historical justice and that embody both remembering and forgetting.
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